It is amazing when I reflect back on the beginning days of the House of Horrors and think of the limited range of films that I originally intended to cover (Thank GOD, Scream was never on that list!!!!). In fact, I find it quite humorous. Luckily, through the many hours of research, viewing, and hundreds of corresponds with all the great horror fans around the world, my love, and appreciation of the genre have continued to grow. One of the films that I initially overlooked was Alfred Hitchcock’s Psycho. What was I thinking?? Psycho is and always will be one of the most influential horror films in history. Without it, where would we be today?? The following are the key elements of this gothic masterpiece. Here, we are introducing the details of Psycho Movie Details – Story, Facts, Cast & Crew.
Secondly, Bernard Herrmann’s score. Just as Hitchcock’s camera helped to guides us on this journey, the Herrmann score was the knife that brought Psycho home. In my opinion, not only is it one, if not the greatest, score to ever grace horror film but probably one of the greatest soundtracks of all-time.
Thirdly, the shower scene. Even for those that don’t know Psycho, there is no doubt in my mind that they are still familiar with this scene. This scene set the standard and has be duplicated rather badly in many horror films. Hitchcock used 70 different camera angles intermixed with quick cuts to emphasize the brutality of the act, yet the knife is never seen penetrating the victim. Its effectiveness is in what is perceived to happen and not what is shown on the screen. The scene is further enhanced by Herrmann’s score and it’s hard to believe that Hitchcock ever considered filming it just with the sound of the action. Pure cinematic magic.
Fourth, the ending. As not to provide a spoiler, all I can say is that much in the same way that the “shower scene” is engrained on our soul, so is the ending of Psycho. It brings a shocking ending to a roller coaster of a movie. Again, pure cinematic magic.
Finally, scripting. Joseph Stefano masterfully scripted from Robert Bloch’s novel. He was giving a lot of freedom by Hitchcock and through his characterizations, he laid the foundation for a classic chiller. Stefano, a young screenwriter at the time, showed the maturity of a veteran as he leads the audience down a path where we actually began to feel sorry for Norman, even considering him a victim of his environment, and finally shocking us with the ultimate conclusion of his madness. By far one of the tightest and well-crafted stories to ever be filmed.
All these factors, as well as, outstanding performances by Anthony Perkins, Janet Leigh, Vera Miles, and Martin Balsam, lead to some outstanding cinematic moments. A definite classic film for the genre and one along with Night of the Living Dead, Exorcist, and Texas Chainsaw Massacre, that is directly responsible for the horror landscape of today (and no I don’t mean that teenybopper shit either). As always please e-mail me if you have anything you can add to this page, or if you have any comments, criticisms or suggestion.
After many hours of driving in heavy rain, Marion decides that she needs a good night sleep before surprising her boyfriend (John Glavin) the next day. Along the way, she happens upon a quaint little motel…the Bates Motel. Thereee she meets a rather shy young man (Norman) who is controlled by a domineering mother. As the two chat, Norman defends his mother and her sickness. The next scene went onto make cinema history as Marion is brutally murdered while showering by a mysterious woman. A mortified Norman quickly cleans up and disposes of the remains of his mother’s rage.
But where there is sparks, there’s fire. It seems that both Marion’s sister, Lila (Vera Miles) and a private detective, Milton Arbogast (Martin Balsam), think she is heading to Sam’s place. As the three converge (Lila, Sam, & Milton), the investigation leads to Marion’s last known whereabouts…the Bates Motel. But it seems that Mrs. Bates isn’t going to let anyone get in the way of her and Norman’s life and she will stop at nothing to keep their little secret….secret. Just as with the “shower scene”, Psycho’s ending has forever ingrained itself on the psyche of every moviegoer. This a must-see for every fan!!! Hitchcock at his best.
Runtime | USA:109 / UK:108 |
Country | USA |
Language | English |
Color | Black and White |
Sound Mix | Westrex |
Certification | USA:R / UK:15 / France:-12 (re-release) / France:-16 / Australia:M / Norway:15 /Sweden:15 / Germany:18 (nf) / Finland:K-16 |
Production Companies | Shamley Productions |
Distributors | Paramount Pictures [us] Universal [us] (video) |
Directed by | Alfred Hitchcock |
Writing credits | Robert Bloch (novel) Joseph Stefano |
Cast | Anthony Perkins …. Norman Bates, Vera Miles …. Lila Crane, John Gavin …. Sam Loomis, Martin Balsam …. Milton Arbogast, John McIntire …. Sheriff Chambers, Simon Oakland …. Dr. Richmond, Vaughn Taylor …. George Lowery, Frank Albertson …. Tom Cassidy, Lurene Tuttle …. Mrs. Chambers, Patricia Hitchcock …. Caroline, John Anderson …. California Charlie, Mort Mills …. Highway Patrolman, Janet Leigh …. Marion Crane, rest of cast listed alphabetically, Francis De Sales …. Official (uncredited), George Eldredge …. Chief of Police (uncredited), Sam Flint …. Official (uncredited), Virginia Gregg …. Voice of mother (voice)(uncredited), Paul Jasmin …. Voice of mother (voice) (uncredited), Frank Killmond …. Bob Summerfield (uncredited), Ted Knight …. Prison Guard (uncredited), Jeanette Nolan …. Voice of Mother (voice)(uncredited), Helen Wallace …. Customer in Sam’s Store (uncredited), |
Produced by | Alfred Hitchcock |
Original music by | Bernard Herrmann |
Cinematography by | John L. Russell |
Costume Design by | Helen Colvig |
Film Editing by | George Tomasini |
Other crew | Jack Barron …. make-up artist Saul Bass …. pictorial consultant/title designer Florence Bush …. hairstylist Clarence Champagne …. special effects Robert Clatworthy …. art director Robert Dawn …. make-up artist Hilton A. Green …. assistant director Joseph Hurley …. art director Lew Leary …. the unit manager George Milo …. set decorator William Russell …. sound Waldon O. Watson …. sound |
Ryan
RE: PSYCHO
Some of my earliest horror memories are of my mother telling me about scary movies she saw when she was younger-the ones that frightened her the most, she said were The Haunting and Psycho. She would tell me (’cause I bugged her to death about them) what she could remember about the plots, but, as a brief aside, this a woman who doesn’t like to watch a car chase. She finds any amount of suspense too nerve-wracking, so I wonder to this day how she endured those two movies.
Finally, after seeing brief clips of it from time to time on TV “great horror films”-type shows, I got to rent it from the video store at age, oh, 10 or 11, under the condition that my mother wasn’t even in the house when I watched it.
I have been a rabid fan of the film, Alfred Hitchcock, Anthony Perkins, and Norman’s creepy old house ever since. Thankfully, the clips I had seen gave no hint as to the film’s conclusion, and I fell for it, hook, line, and sinker. I sat in shock as the tape ran out and the TV went to snow…and that smile at the very end has haunted me to this day.
The sequels were, at best-fun(2 and 4), at worst-terrible(3), but do not even come close to that original snap ending. Truly, one of the main tributaries of the river that we call modern horror.
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