Blu-ray Review: THE BROOD
(Facebook); Jonathan Stryker
It's finally here. David Cronenberg's 1979 film The Brood is one of the best films in
this director's filmography, easily his first mature and polished work
following Shivers (1975) and Rabid (1977). The
Brood is one of Mr. Cronenberg's most accomplished works, a film that he
has reportedly described as his version of Kramer
vs. Kramer (1979) following an acrimonious (to say the least) divorce. In the United States, The Brood has never really been represented well on home video,
certainly not given the respect it deserves while other far lesser films have
been lavished with extensive special editions in multiple DVD and Blu-ray outings. The incomparable Oliver Reed stars as Hal
Raglan, a psychiatrist and Head of the Somafree Institute of Psychoplasmics, which
is a new method of treating patients by getting them to sublimate their
repressed emotions through physiological
alterations to their bodies (one character has growths all over his body which
is the rage he suppressed against his father).
One of his patients, Nola Carveth (Samantha Eggar), is in the midst of a
custody battle with her husband Frank Carveth (Art Hindle) over their daughter
Candy (Cindy Hinds) who only recently showed signs of domestic abuse. Frank believes that Nola beat Candy during her
weekend visits with mom at the institute which Frank is not privy to. Unbeknownst to Frank, Raglan has Nola in deep
therapy, and her bouts of rage concerning the abuse she suffered at the hands
of her own mother cause her to give birth to asexual children who attack the
people she wills them to kill. In a
shocking scene, Nola wills her brood (hence the title) to attack Candy's
kindergarten teacher after finding out that she babysat Candy and assuming she
had an affair with Frank. We come to
learn that Nola was abused by her mother Juliana, which explains why the brood
attacks her - tragically, Candy is a witness to this. Ms. Hinds, who also appeared in Mr.
Cronenberg's The Dead Zone (1983), portrays
Candy as an almost emotionless girl who is trying to understand and take in
everything that she sees, both the good and the bad. All of the anger and resentment that Nola
feels culminates in a rather violent ending which pits Raglan against the brood
as he struggles to save Candy. The
ending has been deemed depressing, but it successfully sends the message that
children are affected by divorce in more ways than one.
The film does an expert job of presenting a believable
cast of characters who are at odds with one another. The subject matter is not pleasant, but then
again neither are divorces. One can only
imagine the acrimony the director experienced with his own wife as he
sublimated his own anger of trying to gain custody of his daughter into this
film. This was also the first time that
Mr. Cronenberg got truly A-list actors.
Seeing Oliver Reed and Samantha Eggar made me wish that they shared more
screen time together as they are both excellent in their respective roles. They had previously shared the screen
together in The Lady in the Car with
Glasses and a Gun (1970). Here,
their dynamic is infinitely more intense.
Art Hindle is convincing as a torn father/husband trying to protect his
daughter. Genre fans will remember his
as Lynne Griffin's boyfriend in Bob Clark's Black
Christmas (1974), Dr. Howell in Invasion
of the Body Snatchers (1979), and as Dirk Winfield in Into the Fire (1988). Robert Silverman does a nice turn as Jan
Hartog. He went on to play the janitor
in Prom Night (1980) and also worked
for Mr. Cronenberg on four other films. Gary
Sheehan, who is very effective as Mike, also appeared in Rabid (1976).
Brood has gotten the
Criterion Collection treatment, which means a new and beautiful high definition
transfer. The extras are:
Pains (31:05) - a thoroughly
enjoyable look at what went on during the making of The Brood as it went into production during the late fall of
1978. Interviewed are Samantha Eggar,
Rick Baker, Joe Blasco, Mark Irwin, Pierre David, and John Board.
the Carveths (19:49) - a
cleverly-titled 2013 piece that returns Art Hindle and Cindy Hinds to the
school where the brood kidnapped Candy.
Emceed by Fangoria's former editor Chris Alexander, what is most
interesting is hearing the mention of other roles that Ms. Hinds had,
especially Deadline (1984), one of
those video nasties that was released on several video labels; she later left
acting. I would have loved to have seen
interviews with the members of the girls' gymnastics team that played the
brood, and how they felt about some of the most violent parts of the film.
Griffin (20:50) - Oliver Reed
appears on Merv Griffin's talk show along with Orson Welles and Charo of all
the Future (70:00) - this early
Cronenberg feature from 1970, which has been available on the Criterion
Collection's Dead Ringers laserdisc
and Blue Underground's Fast Company
DVD and Blu-ray, appears here in a much improved transfer. It would have been nice to also see the
inclusion of Mr. Cronenberg's Transfer
(1966), From the Drain (1967), and Stereo (1969). Hopefully, one day we will have all of his
shorts and television work in one collection.
The Early Years (13:18) - this
is a 2011 interview that the director did with Fangoria's former editor Chris
Alexander wherein he discusses how he came to be a filmmaker thanks to the
folks at Cinepix in Canada, specifically John Dunning and Andre Link.
Radio Spot for The Brood - 30 seconds
great package from Criterion!
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Blu-ray Review: F/X 2
Stryker (Facebook); Jonathan Stryker
this 1991 follow-up to 1986's immensely entertaining F/X, Rollie Tyler (Bryan Brown) is romancing Kim Brandon (Rachel
Ticotin) and attempting to get in the good graces of her 11 year-old son Chris (Dominic
Zamprogna) while being pleasant to her divorced husband Mike (Tom Mason) who is
a cop. While a movie is being filmed
outside his front door, the crew recognizes him and begs him to work with
them. Rollie makes it loud and clear
that he has no intention of getting back into the movie business. Despite this, we know that something will pull him back in. The ending of F/X had Rollie and Leo McCarthy (Brian Dennehy) having made off
with the $15M of Nicholas DeFranco's mob money, but that event is not mentioned
in this runner-up. I am guessing that Rollie
has set himself up nicely in his new Manhattan digs where he is a toy prototype
creator and is experimenting with the beginnings of what will eventually become
virtual reality as he has created a "telemetry suit" that he can wear
that powers a full-size clown which mirrors all of Rollie's moves in sync with
the suit. The introduction of this
device (both literal and cinematic) should inform all shrewd cineastes that the
clown will figure into the action in some way and when he does, the results are
girlfriend's ex is working on a case about a sex pervert which would benefit
from Rollie's particular genius. After
some groveling, Rollie relents and decides to help. Mike and his boss Ray Silak (Philip Bosco)
set up a sting operation to catch a pervert who is harassing a young female
model. Rollie goes to work but things
take a turn for the worse and Mike is killed by a hit man that Silak,
conveniently, swears was never there. Silak
does not appear to be all that broken up over Mike's death, and Rollie soon
learns that Silak is a skunk and involved in a whole lot more than he is
letting on to. He is now in deep
doo-doo, and calls his old pal Leo for help.
Ironically, Leo appears nearly 45 minutes into the film, which is
roughly the same point at which he appears in the original. Along the way, the mob gets involved, as do
some medallions by Michelangelo, the painter of the Sistine Chapel.
are the usual set pieces that one would expect from such a film (a grocery
store shoot-up reminds me of Scott Spiegel's Intruder from 1989) and Rollie does his best to reverse his
predicament with his magic bag of tricks, something he has kept on hand,
probably in the off-chance he would need them.
If you compare F/X 2 to its
predecessor, the original is clearly superior, though it is a far more gritty
film whereas the sequel plays for fun.
It's good to see Rollie and Leo together again, though I miss Leo's mustache
and his "I'm getting too old for this s--t" demeanor. Not having seen the sequel before, I was
thrilled to see the return of Velez (Jossie deGuzman), Leo's computer
far as sequels go, F/X 2 gives us
what we would expect. Rollie finds
himself in a similar bind as he did in the first film, and you would think that
the once-bitten, twice shy mentality would have stuck, but if it had there
would be no sequel!
F/X 2 was
made available on DVD by MGM/UA as a double feature with the original F/X about three years ago. The new transfer on Blu-ray by Kino Lorber
looks great. I love this company as they
just keep pumping out terrific neglected titles month after month. The action in this PG-13-rated film is more
tongue-in-cheek and playful this time around whereas it was serious business in
the first R-rated outing. There is a lot
of levity in the dialogue, and it was probably decided in post-production to
tone it down as several obvious F-bombs dropped by Bosco's character are ADRed
(industry parlance for "looping dialogue") to be more "family
friendly", though there is no mistaking what he's really say when closely
examining his lip moves.
written by Robert T. Megginson and Gregory Fleeman and directed by Robert
Mandel. The sequel was written by Bill
Condon who also wrote Strange Behavior
and Strange Invaders in the early
1980's, and it was directed by the late Richard Franklin who also did Road Games (1981), Psycho II (1983), Cloak and
Dagger (1984), and Link (1986). The acting this time around is a little
uneven and occasionally feels like a made-for-TV movie, but the film is still
worth seeing even though the action seems a little forced at times.
In addition to the film,
there is a making of featurette shot during the film's production that runs six
and-a-half minutes in length (best to watch it after the film if you haven't
seen it before), in addition to the theatrical trailers for F/X and F/X 2.
Blu-ray Review: THE BLACK WATERS OF ECHO'S POND
Jonathan Stryker (Facebook); Jonathan
Bologna's The Black Waters of Echo's Pond
comes across as a strange concoction.
For one thing, it doesn't seem able to make up its mind as to whether or
not it is a straight out horror film or if it is meant to be played as a tongue-in-cheek,
winking- at-the-audience type of movie. My
guess would be the former given the overall creepiness that the film admirably
attempts to create, though not always successfully. Like the new DVD and Blu-ray release of All the Boys Love Many Lane (2006),
which also deals with a similar theme of male and female teens going off to a
large manse with the hopeful promise of sex, the film was shot a good number of
years ago, probably around 2007/2008. To
me, still the only recognizable performers are Robert Patrick, Danielle Harris,
James Duval, Electra Avellan and Elise Avellan.
Black Waters starts off
promisingly enough but tends to drag at times despite lasting the usual hour
and-a-half. It ends with a denouement
that any seasoned horror film fan will see coming, but that is not to say that
the film is a total loss as there is much to admire here, especially the fairly
cool title and the even cooler old-style '70's-inspired movie poster.
starts with a prologue wherein a group of archeologists are excavating a dig in
1927 and this, like in William Friedkin's The
Exorcist (1973), unleashes an evil spirit.
Flash forward 80 years to the same location whereupon a big house owned
by Pete (Robert Patrick) is built right on the spot where the spirit was
discovered. Pete loans the house to
family friend Anton (Arcadiy
Golubovich) and his wife Erica (Elise Avellan).
The couple is joined by Anton's best friend Josh (Nick Mennell)
and his girlfriend Renee (Electra Avellan) who also used to be Anton's
girlfriend. But, hey, everything's cool,
right! Um, no! Not only will this
situation prove to turn the cabin into a pressure cooker of accusations, festering
resentment and nasty secrets, but the evil spirits brought forth by the board
game that Anton finds in the basement will make them wish that they broke out
Trivial Pursuit instead.
(James Duval) is a mutual friend who shows up uninvited and incurs frowns and
mean looks from just about everyone, especially Kathy (Danielle Harris) who really
has it in for him as she blames him for the drunk driving death of her
brother. As they play the board game, accusations
and dares flip flop and eventually the board possesses the participants. It becomes difficult at times to gauge if
what we are seeing is real or a game within a game along the lines of David
Cronenberg's eXistenZ (1999).
performances for the most part are quite good.
Electra Avellan and Elise Avellan give good dramatic turns, yet I still
cannot tell the two of them apart - will one of these ladies get a tattoo
somewhere noticeable, please? Danielle
Harris fans will love her here as she not only gives a good performance but she
looks very sexy, too.
is also a strange half man, half beast creature running around...
film's transfer on Blu-ray is a colorful affair. The sound is also very strong and typifies
what you would expect from a modern film.
There is an extended alternate beginning included as an extra, although
I really would have liked a commentary with some of the behind-the-scenes folks
to give us a rundown of the film's origin and its problematic history.
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THE BLACK WATERS OF ECHO'S POND in our
Blu-ray Review: HALLOWEEN
Jonathan Stryker (Facebook); Jonathan
seems like it would be an exercise in redundancy to recap the plot synopsis of
John Carpenter's seminal 1978 film Halloween. The film has been theatrically released,
aired on cable and network television, and released in virtually every home
video format in existence at one time or another. Its latest incarnation is in
the form of a Blu-ray disc (for the second time in this format) which contains
a brand-new commentary featuring both John Carpenter and Jamie Lee Curtis as
they watched the film together. This is different from the original commentary
which consisted of a feature length discussion culled from separate comments
from John Carpenter, Jamie Lee Curtis and the late Debra Hill. This appeared on both the Criterion
Collection laserdisc in 1994 and the Anchor Bay DVD in 2003.
new Blu-ray features a stunning transfer supervised by cinematographer Dean
Cundey and the film has never looked better; television and radio spots; the
theatrical trailer; the additional twelve minutes of footage shot for the
television airings in both 1981 and 1982 (it would have been nice if they had
incorporated this footage into the film in an alternate version by way of
seamless branching, but I suppose that would have been more expensive); the On Location: 25 Years Later featurette;
and a new featurette cleverly called The
Night She Came Home which runs nearly an hour and features a camera crew
following Jamie Lee Curtis from Los Angeles to a Horror Hound Weekend
convention in Indianapolis, Indiana, the one and only convention that she has
done for this film. Unless you were actually at that show, you may not have the
patience to sit through the featurette in its entirety. However, these one-hour highlights give the
viewer who may not have ever attended a horror film convention before an idea
of what goes on, the type of people who frequent this sort of thing, and how genuinely
nice Jamie Lee Curtis is towards her fans.
also includes an 18-page essay with black and white on-set photos by
photographer Kim Gottlieb-Walker depicting the shooting of the film.
for die-hard fans of this now classic film!
DVD Review: SHIVER
latest Danielle Harris film to hit DVD is SHIVER (2012), a creepy independent
film shot on location in Portland, OR and in and around Los Angeles, CA,
specifically at a faux Cadillac Jack's diner in Sunland, CA, which is actually a
movie set with an adjacent Pink Motel set situated on 9457 San
Fernando Road in Sun Valley, CA for use in films. As the film opens, a schlubby
middle-aged man named Franklin Rood, played off-kilter by Australian actor John
Jarratt (he played the diabolical Mick Taylor in 2005's stomach-turning Wolf Creek and its forthcoming sequel), sits down nervously at the
counter and feigns reading a menu.
waitress, Kathy (Nikita Sesco), is clearly half his age and he finds her impossibly
desirable, fantasizing about frolicking with her and exploring her body. When he asks her out to a movie, he is
politely rebuffed and storms off like a child.
His adolescent-minded feelings are shattered, and he doles out a head
bashing in the parking lot after she locks up the diner for the night, leaving
her dead. The murder itself is not
graphic (for the most part it is off-screen), but the look on his face is truly
years later in Portland, Oregon, the city is on edge due to a serial killer
(called The Gryphon) being on the loose. Wendy Alden (reliable scream queen
Danielle Harris) is harassed by her mother (Valerie Harper) to ask her boss for
a raise since she can no longer help support her daughter.
friend Jeffrey (Shane Applegate) wants to be more than friends; when Jeffrey
takes the Wendy out to dinner and offers that she stay with him that night, Wendy
attempts to assure him that she will be fine. If you're
a genre fan, you will know right away that she is about to receive a visit by The
Gryphon, aka Franklin, the loony from the pre-credits sequence. When Franklin arrives in her home and
surprises her, he reconsiders killing Wendy as she begins to behave in a way
that he is not used.
talks to him differently than the other young women he has killed up thus far
and he notices this. Franklin suffered
bullying and humiliation during his childhood and this partially explains his
killing streak towards women. Through
his own delusional mind, he convinces himself that he can make her love
him. In the meantime, the police are
unable to adequately protect Wendy: two of the dumbest police officers I have
ever seen in a movie are both killed by Franklin within seconds of each other,
and I almost found myself applauding in his favor. Casper Van Diem is the lead detective and Rae
Dawn Chong portrays his partner, however the script does not give her much to
do. Wendy attempts unsuccessfully to escape
clutches even after he manages to extricate her from a police station under the
guise of dressing as a fellow officer.
film is nowhere near as suspenseful as I would have liked, but the story kept
me watching. The others films that I would compare this too would be recent
horror outings such as CHOOSE (2010) and ATM (2012). SHIVER is a step above
these films and keeps you focused until the final frame. It does require a suspension of disbelief to
succeed. Mr. Jarratt has a unique
ability to play unrepentant psychopaths, his turn as Mick Taylor in Greg
aforementioned WOLF CREEK brought to life one of the most frightening and
vicious psychos that the cinema has seen in quite some time. Here he is also mean, but for different
reasons. In WOLF CREEK, he was bent on
inflicting pain on others for his own pleasure.
Here, his Franklin is a broken, rejected and unhappy soul for reasons we
don't know. He is trying to trying
to connect with someone and spirals out of control when he cannot. Valerie Harper gives a good performance as
Wendy's mother, although she only
appears in two scenes. Danielle Harris
is also quite good and proves a great adversary for Franklin.
DVD itself is bare-bones and contains trailers for ABERRATION and
LAST WILL AND TESTAMENT OF ROSALIND LEIGH. It would have been nice to have had some
extras, such as interviews and a commentary with the cast; Ms. Harris is always
so fun and bubbly when talking about her career and the onscreen action. Worth seeing for fans of Mr. Jarratt and Ms.
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