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DVD Review: THE DEFINITIVE DOCUMENT OF THE DEAD
By
Jonathan Stryker (Facebook); Jonathan
Stryker (Twitter)
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Source:
Jonathan Stryker (Facebook); Jonathan
Stryker (Twitter)
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May 3, 2013, 9:0 AM |
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THE
DEFINITIVE DOCUMENT OF THE DEAD is the newest (and hopefully final) version of
director Roy Frumkes's terrific behind-the-scenes documentary on the making of
George A. Romero's DAWN OF THE DEAD (1978) which was filmed on location while
the movie was actually being shot. The fun
of watching the new cut of this film is to see the additional footage that Roy
has taken in the years since 1978 when he and his crew spent a weekend on the
set of Mr. Romero's revered zombie epic.
What this 16mm documentary illustrates quite clearly is the overall creative
process that a director must experience, and it gets its point across to the
average moviegoer who may not know how a movie is made.
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George Romero on the set of DAWN OF THE DEAD (1978) |
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The Monroeville Mall blanketed in snow, January 1978 |
Dawn
went into production in October 1977 at the Monroeville Mall in Monroeville,
Pennsylvania and lasted roughly six months.
Mr. Frumkes was given access to the mall set over a weekend in January
of 1978 to follow Mr. Romero and the cast and crew around. Most documentaries that appear on DVD and
Blu-ray nowadays are nothing more than self-promotion pieces. THE DEFINITIVE
DOCUMENT OF THE DEAD, on the other hand, actually takes you behind the scenes
of the film and enlightens the viewer on the creative process, specifically the
teamwork and the collaborative nature of the people working on the film. Mr. Frumkes talks to Tom Savini, Michael
Gornick, John Amplas, Richard Rubenstein, the cast of DAWN, and of course
director Romero. The documentary gives
us a great look into his creative methods of filmmaking. As shooting progressed, Dawn took on a comic
bookish feel and there is an obvious lightening up of mood. Whereas Mr. Romero
had a crew of about eight people on MARTIN (1977), Dawn has a cast and crew in
the hundreds. The most fascinating part of the documentary, for myself anyway,
is where Mr. Romero describes the rhythms created by editing and spatial
design. Prior to his foray into feature filmmaking, Mr. Romero honed his
editing skills by making many 30-second commercials.
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Tom Savini on the set of DAWN OF THE DEAD (1978) |
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Roy Frunkes |
After
a discussion about the distribution of the film and leaving it unrated with a
running time of just over two hours, the documentary switches gears to the 1989
summer filming of TWO EVIL EYES (1991). Mr. Romero discusses how he wants a
family atmosphere on the set without any of the political Hollywood
nonsense. There is also a follow-up
segment on LAND OF THE DEAD (2005) which focuses on Mr. Romero's daughter, Tina
Romero, who discusses how she got involved in filmmaking. Be warned: there is a trailer for a hard-core
sex parody of NIGHT, and I'll let your imagination guess what the title of this
film is! While this trailer does not
contain any overt sex, there is much nudity.
There
is also footage of the Chiller Theater convention in 2005 which features a
reunion of the cast of DAY OF THE DEAD, discussions with Greg Nicotero, Bill
Lustig, and some of the cast and crew of DAWN. The final segments, all of which
are shot on standard definition video, ends with Mr. Frumkes heading to the
Toronto set of DIARY OF THE DEAD in the fall of 2006. While these last few segments are nowhere
near as incisive as the footage shot for Dawn, they still are relevant, fun to
watch and make THE DEFINITIVE DOCUMENT OF THE DEAD a worthy addition to the
libraries of Romero fans.
The
documentary is available in two versions: as a single, stand-alone standard
definition DVD with a newly-recorded commentary provided by Mr. Frunkes running
102 minutes that covers DAWN up to DIARY, and as a limited edition DVD/Blu-ray
combo set that includes a standard definition DVD with the aforementioned
extras, plus a Blu-ray of Mr. Frumkes's original, 1978 documentary DOCUMENT OF THE
DEAD, which runs 66 minutes and was scanned in high definition from the 16mm
master. If you have a Blu-ray player, it
is worth spending the extra cash to get the limited edition, which also
contains a fold-out poster of Wes Benscoter's beautiful new cover art for the
DVD and Blu-ray. Have a look at this
artist's website. His work is excellent.
Click
here
to order the DVD from Amazon.com.
Click
here
to order the limited edition DVD/Blu-ray combo direct from Synapse Films.
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